Question Description
Writing Assignment:
- Please pick one or more impressive scene/sequence(s) from Farewell, My Concubine andidentify at least two types of camera movement by basically defining in your own language. (Notes: the lack of camera movement could also be considered as part of camera movement; other angles: mobile framing, unmotivated/motivated movement, artificial camera movement, “editing” within the long take, etc)
- Through the careful reading of the formal “evidence” from this film, you need to closely analyze the role(s) of “(un)moving camera” in constituting film narrative and style, as well as engaging the audience (for example, as the key element that shifts the
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